Showing posts with label lime. Show all posts
Showing posts with label lime. Show all posts

Friday, October 30, 2015

The Oaxacan Dead

It is the time of year when I watch horror movies. Not just a few, either. I gorge on them like a zombie gorges on human flesh. Speaking of zombies, I never tire of a good zombie flick.

As a kid, I inflicted myself with a sick sense of existential dread watching George A. Romero's classic Night of the Living Dead. I used to imagine what it would feel like to come home from school and find my home abandoned... Front door swinging on its hinges, the aftermath of a struggle, blood caked on the floor... And then to discover that my family had become bloodthirsty zombies. Where would I run to? Who could help me? As a child, it genuinely terrified me. So, after that, I watched every zombie movie I could get my hands on. I still do. Right now, the Walking Dead continues to fascinate (and frustrate) me. Maybe it is something about the struggle to retain some human dignity within a world increasingly driven by dumb bloodlust.

Night of the Living Dead
In homage to zombies, I am sharing a recipe for a drink called the Oaxacan Dead. From what I can tell, this cocktail was concocted right here in Boston at Deep Ellum, down in Allston. Their recipe is a bit different from the one presented here. Subtitled the "Mezcal Zombie," their version includes mezcal, rum from Jamaica and Trinidad, falernum, grenadine, grapefruit-cinnamon syrup, Herbsaint, bitters, and citrus. The ingredients, especially the falernum, place this drink firmly into the tiki category (it is, in fact, derived from Don the Beachcomber's original 1934 Zombie, and is similar to the Mai Tai). In the same family as orgeat syrup, falernum is a sugar syrup with hints of lime, ginger, vanilla, clove, allspice, and almond—Caribbean flavors that impart a fragrant, tart, sweet, and spicy element.

The Walking Dead
A brief note about falernum. I use John D. Taylor's Velvet Falernum, a sugarcane-derived product of Barbados that contains a bit of alcohol and is far superior to the competition, if that competition is Fee Brothers. While it might do in a pinch, the Fee Brothers falernum syrup is full of sweeteners and artificial flavors and mercilessly free of alcohol. It is worth the effort to find John D. Taylor's Velvet Falernum if you plan on making any sort of tiki drink from the era of Don the Beachcomber or Trader Vic's. However, if you can't find it in the store, many folks suggest that homemade falernum is not only quite easy, but also better than anything you can buy in the store. Read more about that in Imbibe magazine.

I Walked With a Zombie (1943)
Despite its tropical origins in the Zombie, I am sharing this recipe for the Oaxacan Dead now, in the last days of a New England October, because I think it is thematically appropriate for my favorite day: Halloween. Honestly, I am unaware of how the original recipe for this drink (with rum) evolved into the one highlighted below, but I can attest that the smokey flavor of the mezcal and the tangy notes of the falernum and lime blend perfectly with the earthy apricot liqueur. It's a delightful, satisfying drink—as good on a chilly October night is it would be on a beach-balmy summer afternoon—and I encourage you to celebrate All Hallows' Eve with one.

The Oaxacan Dead
  • 1 1/2 oz mezcal (I used Vida)
  • 1/2 oz apricot liqueur (I used Rothman & Winter Orchard Apricot)
  • 1/2 oz falernum (if you can find it, John D. Taylor's Velvet Falernum)
  • 1/2 oz fresh lime juice
  • 2 dashes Peychaud's Bitters
  • 2 dashes Regan's Orange Bitters
  • Fresh mint for garnish
Shake the ingredients vigorously—look alive!—with ice and strain into a rocks glass. Garnish with the mint (if you want—it is not critical). Bottoms up!

And, Happy Halloween!





Saturday, February 25, 2012

Bitter Mai Tai

It is still February, and in New England that usually implies utter misery. In a regular year, it means filthy piles of petrified snow, blackened by the gunk of a winter's worth of snowplowing, muddy melt, dog piss, and plain old city dirt. It means subzero temperatures and despondent people grimly huddled at bus stops or hobbling along the streets, bent against the bitter wind, rendered obese by layers of puffy coats, scarves, hats, sweaters, long johns, and winter fat. People look as if they are ready just to die. It means a certain hopelessness: will this ever end?

This year is different. February is just about over and we have been graced by some pretty nice temperatures. The coldest day this month had a high of 30 degrees fahrenheit with a 16-degree low. That was one day. Otherwise it has ranged from a mild mid-40s to a balmy mid-50s. January was not dissimilar. Essentially, this winter has been like spring. There are already snowbells blooming along the sidewalks, and bright little patches of purple and yellow crocuses pushing up through the ground. No snow, little rain - what does it all mean? 

Well, here at Lakeville Road it means the first Mai Tai of the year, albeit with a considerable twist. The Bitter Mai Tai, from a recipe courtesy of Jeremy Oertel at Brooklyn's Dram, seems peculiar on paper because its predominant ingredient is Campari. As you probably know, Campari is bitter and a Mai Tai is tropical (read: not bitter). But even if, like my wife, you don't care for Campari, I'll wager that you'll enjoy this particular combination of flavors. There is some bitterness, but there is also the pungency from Jamaican rum and a bright tartness from fresh lime juice and orgeat syrup - which also provides a sweet counteraction to the Campari, with a little help from orange curaçao. While it shares four out of the five ingredients in a standard Mai Tai, this is quite different. The sweetness on the tongue is undercut almost instantaneously by the bitter notes of Campari. And then, the smokey flavor of the Jamaican rum kind of rises to the fore, and characterizes the aftertaste. This is definitely the kind of bitterness I can get with at the tail end of February. It makes me feel... happy.

To do this right, you'll want to seek out Smith & Cross Traditional Jamaica Rum. As they say on the website, "Make no mistake, this is not a sipping rum by contemporary standards. Upon initial pour, allow a minute to open up before tasting." From an English company dating back to 1788, Smith & Cross is an unusual rum; in fact, sipping it straight you might not think it is a rum at all. It shares perhaps a few flavor characteristics with Myers's Jamaican rum, but it is a golden color and its odor is pungent, with a hint of burnt sugar or molasses. It contains "only Wedderburn and Plummer pot still distillates, famous for their notes of exotic fruits and spice." It is distilled in Jamaica and produced in London. It is Navy strength at 114 proof. It is worth finding purely for it's unique flavor. I found it at Cambridge Wine & Spirits, where you can also find orgeat syrup (or try the Boston Shaker).

That said, if you can't lay your meathooks on a bottle of Smith & Cross, try this with another aged Caribbean rum.

With the sun shining in the window and March just around the corner, this has proven to be a good choice of drink for today. And without boring you further by expounding relentlessly on the weather, here is the recipe:

Bitter Mai Tai

1 1/2 oz Campari
3/4 oz Jamaican rum (Smith & Cross recommended)
1/2 oz orange curaçao
1 oz fresh lime juice
3/4 oz orgeat syrup

Shake all the ingredients with ice until cold, and strain into a rocks glass filled with crushed ice. You can garnish this with a mint sprig or a lime (or both), as you would a Mai Tai.

Here's to you. Bottoms up!

Monday, September 5, 2011

The Tiki-Ti Five-0 Cocktail (and farewell to summer's glories)

When you reside in the northeast, summer is a privilege, enjoyed (if you're in luck) for three or four months out of the year. When September arrives, psychologically it means the summer is about over - even if you have hot weather through the month. With the descent of September - and the accompanying throngs of college students that infest Boston for the school year - we realize that the privileges of summer will gradually be withdrawn. And following the magnificence of autumn in New England (really the best season we have), the cold, hard reality of winter arrives with steely skies and stray snowflakes. After that, hibernation.

Alas, though September is here, and Labor Day weekend is drawing to a close, the weather is still hot and muggy. Perfect for perhaps the final tropical cocktail of this summer. Let's bid the season farewell with the tangy flavors of lime and Chinese five-spice, rum, and orange. Let's send it off with the Tiki-Ti Five-0.

This laboriously named cocktail is courtesy of the ever-entertaining Imbibe Magazine, and the concoction's creator, "tiki scholar" Jeff "Beachbum" Berry. His recipe is in honor of the fiftieth anniversary of the Los Angeles watering hole Tiki-Ti, hence the Five-0. It's very good. It requires a little advance work, in the area of "Five-0 syrup."

To make Five-0 syrup, mix one cup of clover honey with one cup of water and one tablespoon of Chinese five-spice powder. I found this powder easily at Whole Foods in Boston. I am sure it is readily available at your local market, in the spice aisle. You can also find the recipe here.

Without further ado, the last tropical drink of summer:

The Tiki-Ti Five-0

2 oz aged rum (I use Smith & Cross, which is quite distinctive... you could also use the more readily accessible Cruzan aged rum)
1/4 oz ginger liqueur (G.E. Massenez Crème de Gingembre, Stirrings, or, in a pinch though it might be too sweet, Domaine de Canton French Ginger Liqueur)
1 oz Five-0 syrup
1 oz fresh lime juice
1/2 oz fresh orange juice

Combine all the ingredients in a shaker with ice and shake furiously.  Pour contents, including ice, into a highball  or collins glass. Add more ice if necessary.

Garnish with an orange wedge (and a piece of candied ginger, if you are so disposed). As you can tell from the picture, I used lime. So obviously it's a free for all. Bottoms up!

And, as a closing note, while summer may be on the wane, we are about to enter one of the most fruitful and decadent cocktail seasons ever: autumn. Coastal New England is the best place to be in October and November. Following that truth, this blog will encompass whiskey cocktails, a range of satisfying Manhattans, and other deeply pleasing autumnal drinks. So do not despair, my friends, and remain in hope: the weather may change but the cocktails will still satiate your yearnings.

Let's clink glasses to the future... To hell with bad weather.


Sunday, August 28, 2011

Hello, Hurricane Irene


Image courtesy of Reuters.
Today, Massachusetts is expecting the arrival of "greatly weakened" Hurricane Irene - most likely reduced to a tropical storm by the time it reaches us. Nonetheless, today there is no public transportation. Torrential, sideways rain. Violent wind. Since I have no desire to leave the house and possibly get my head staved in by a falling tree, I have decided that the approach of Irene warrants a couple of recipes appropriate for the day. Just for shits and giggles.

That means, of course, the Dark 'n' Stormy and the Hurricane.

The Dark 'n' Stormy was created in Bermuda sometime after WWI, and its recipe i
s actually protected by trademark. According to Jonathan Miles's article in the New York Times, "The Right Stuff (By Law)," a Dark 'n' Stormy has to be made with Gosling's Black Seal Rum. That's right. Current Gosling's owner E. Malcolm Gosling Jr. cautions that “People will try one with some other rum, and then say, what’s the big deal with this drink?”

That said, it is best with Gosling's rum, due to the rum's unique characteristics and dark hue. When I visited Bermuda, briefly in 2009, I had the opportunity (many,
 actually) to try these "on location." Though Gosling's was the only rum ever used, and Barritt's tended to be the ginger beer of choice, the actual ratios must have varied wildly because the cocktails would range from potent, strongly flavored concoctions to weak, watered-down affairs in cheap, plastic cups (see image below).

This sticks to the original ingredients, but with a slightly higher ration of rum than the Gosling's trademark "Dark 'n' Stormy®" calls for. I have been known to add a dash or two of Angostura Bitters to this drink, to pleasing effect. Don't sue me though.

The Dark & Stormy Cocktail
  • 2 oz Gosling's Black Seal Rum 
  • Gosling’s Stormy Ginger Beer or Barritt’s ginger beer (both from Bermuda); or, any ginger beer with a snap. 
  • Lime wedge (I use about a quarter of a lime) 
Take your lime wedge and squeeze into a highball glass filled with ice. Add the rum, top-off with the ginger beer, and stir gently.

Okay, on to The Hurricane. Allegedly created in the 1940s by New Orleans tavern owner Pat O'Brien. Now, way down yonder in New Orleans, tourists drink these like water, in giant, 32-ounce to-go cups. "To go." Only in New Orleans. Of course, it is guaranteed that aforementioned tourists get soused and obnoxious and then do embarrassing things on Bourbon Street. I had a Hurricane in New Orleans. It was like Kool-Aid. It came in a giant cup. I refrained from having a second.

That said, I don't actually make this drink, so I can't recommend it or steer you away. It is here today because it is called the Hurricane. It is sweet. It has many ingredients. This particular recipe is taken from Dale DeGroff's fine book, Craft of the Cocktail. DeGroff enlightens us that:
According to Brian Rea, there were two versions. The first was a drink of the early twentieth century that contained Cognac, absinthe, and Polish vodka. The rum-juice combination appears to have surfaced at the 1939 World's Fair in New York, at the Hurricane Bar. I suspect that Rea is right - neither the drink nor Pat O'Brien's appear in the 1937 Famous Drinks of New Orleans, by Stanley Clisby Arthur.

The Hurricane

1 oz dark rum
1 oz light rum
1/2 oz Galliano
3/4 oz fresh lime juice
2 oz passion fruit nectar, or in a pinch, passion fruit syrup
2 oz fresh orange juice
2 oz pineapple juice
1 oz simple syrup
Dash Angostura Bitters
Fresh tropical fruit for garnish

Shake all the ingredients with ice and strain into a hurricane glass filled with ice. Add the garnish. Bottoms up! If Hurricane Irene doesn't blow us away, a couple of these sure will. 




Monday, July 18, 2011

The Singapore Sling

In my effort to experience a wide range of classic cocktails without discrimination, I knew that the Singapore Sling was going to come up sometime.

When I think "Singapore Sling," my mind's eye conjures a picture of colonial outposts in Southeast Asia: mouldering rooms with lazy, rattan ceiling fans useless against the oppressive humidity; the unearthly sounds of screaming monkeys and the opium-vision of rainbow-plumaged birds careening beneath the dense jungle canopy; perhaps the sinister slither of a cobra beneath the mosquito-net-enclosed porch.

That's a bit rich (are there actually cobras there?), but you get the point. The Singapore Sling has a bit of exotic mystery around it. 

The Singapore Sling was created by a certain Mr. Ngiam Tong Boon, at Raffles Hotel in Singapore, in the early part of the twentieth century. The exact date can be argued, and other folks are better equipped to do that. Most sources agree it was invented before 1915. Some claim it was around as early as 1903. There is much debate around the authenticity of any Sling recipe. One claim to an "original" recipe is contradicted by another "original" recipe. The bigger issue is, as with all tropical umbrella drinks, time has seen the Sling debauched and debased; sweetened, weakened, and cheapened like a tart. It is hardly itself any more.

That said, there is no shortage of beguiling recipes out there. The one I am going to share is taken from a recipe in Imbibe Magazine, which also happens to have an article about the Sling as well, called "How the Sling was Slung." In that article, author David Wondrich writes:
With a 1903 reference to “pink slings for pale people,” we can begin to lay to rest the common argument that the reference to “dry cherry brandy” in Robert Vermiere’s 1922 Cocktails: How to Mix Them, the drink’s first appearance in a cocktail book, means that it should be made with a clear kirschwasser rather than a red liqueur such as Cherry Heering. Add the fact that the only cherry brandies that turn up in local liquor advertisements are the red Bols cherry brandy or the aforementioned Heering (at the time, Bols had a dry version of its regular cherry brandy, which was its standard version blended with Cognac).
Wondrich is arguing that the "dry cherry brandy" called for in a Singapore Sling is most likely the red Cherry Heering. On the other hand, author Jason Wilson suggests in a Washington Post article that the "cherry brandy" in the recipe is the clear kirschwasser - because Heering is not really a true brandy.

Who's right? Who cares? Both contenders have decent recipes that taste good; that aren't cheapened with pre-made mix; that remain refreshing and tall. I prefer the Sling made with Cherry Heering. I like its red hue, and its combination of tartness and sweetness. The Sling made with kirschwasser is drier and more floral, thanks to the brandy. Here's what I say: Try both!

Below is the recipe taken from Imbibe Magazine. You can find a variation at DrinkBoy.com, in which there is more gin and less liqueurs, plus pineapple juice. For the recipe with kirschwasser, see the Washington Post.


The Singapore Sling

1 oz London dry gin
1 oz Cherry Heering
1 oz Bénédictine
1 oz fresh lime juice
2 oz soda water
1-2 dashes Angostura Bitters


Take the first four ingredients and put them in a shaker with ice. Give it a quick shake and strain into a tall, ice-filled glass. Top it up with the soda water, and add the bitters as a float on top. Amazingly for an umbrella drink, this has no garnish. If you can't live with that, take a hunk of pineapple or a lime, and stick a plastic umbrella or sword in it, and use that (see illustration, left).

Bottoms up!

Monday, July 4, 2011

The Hemingway Daiquiri

"My mojito in the Bodeguita del Medio and my daiquiri in the Floridita." 
- Ernest Hemingway
On July 2, 1961, Ernest Hemingway took his shotgun and took his leave of this world.

On July 2, 2011, the fiftieth anniversary of Papa Hemingway's death, my savvy wife suggested - quite wisely - that we honor one of the twentieth-century's greatest writers by recreating a drink he famously enjoyed at the historic El Floridita, in Havana, Cuba. The drink, of course, is the daiquiri.

I have had the pleasure of visiting El Floridita during two separate trips to Havana. This hallowed watering hole, like much of Havana, seems to have stood still in time, evoking a lush yet sepia-toned era of high style and tropical elegance. The incense of decades of cigar smoke makes the wood fragrant and spicy. The breeze wafts lazily through the open doors. At the very spot along the bar where Hemingway used to stand during his frequent visits, is a bronze statue commemorating his patronage and paying homage to the legendary relationship of a unique man to an incomparable city.

The daiquiri at El Floridita could be considered to be the pinnacle of this particular cocktail. Perhaps it is the location and the tropical heat, ensuring that the icy and tart drink has maximum impact in terms of nostalgia and refreshment. I am sure there are better daiquiris, bigger daiquiris, and stronger daiquiris, but none are as a beautiful or satisfying as one consumed at the bar, next to Hemingway's bronze, at El Floridita on a muggy afternoon in Havana.

The Hemingway Daiquiri, also known as the Papa Doble, was first made by Constantino Ribailagua of El Floridita in the early 1920s. What makes it different from the standard daiquiri (light rum, fresh lime juice, sugar) are ingredients such as grapefruit juice and maraschino liqueur. Without further ado:

Hemingway Daiquiri 
(aka, Papa Doble)
  • 1.5 oz white rum (Cruzan is a good, inexpensive one)
  • 1/4 oz maraschino liqueur such as Luxardo
  • 1/2 oz fresh grapefruit juice
  • 3/4 fresh lime juice
  • 1/2 oz simple syrup or agave syrup, or teaspoon of superfine sugar
Combine the ingredients in a shaker, add ice, and shake vigorously for about a ten-count. Strain into a cocktail glass and enjoy. There is not usually a garnish (that I recall), but a sprig of mint looks and smells good with this.

Bottoms up!

Sunday, May 1, 2011

The Leatherneck Cocktail


I had never heard of this until it was introduced to me by close friends, who also happen to be avid appreciators of the mixed drink. I have to admit, when they listed off the ingredients, it sounded like a revolting combination. The color, however, was hypnotic like the cerulean seas of Greece. Or something like that. And it tasted marvelous!


"Leatherneck" is slang for a member of the Marines. The following is lifted from the DrinkGal website:
Created in 1951 by a former Marine and New York World Telegram columnist, Frank Farrell. Ted Haigh found this cocktail in the book "Bottoms Up" by Ted Saucier, and Saucier quoted Farrell as giving instructions for this cocktail, saying "Shake violently on the rocks and serve in a cocktail glass... Stop smoking. Fasten your seat belts. Empty your fountain pens. Because after two gulps, you'll seriously consider yourself capable of straightening out Chinese fire drills." 
Of course, the name is from the term "Leatherneck" which referred to Marines who used to wear a high leather collar in the Revolutionary War to protect their necks from swords.
The other night I tried my hand at the Leatherneck Cocktail. My willing spouse and I had to see that color again. I needed to refresh my memory of the taste. I bought some blue curaçao (same taste as orange curaçao, except colored bright blue) and some limes. We were off and running. After a few of these, you'll be ready for a risky mission of some sort.

The Leatherneck Cocktail
  • 2 oz rye whiskey (I use Rittenhouse 100-proof rye)
  • 3/4 oz blue curaçao
  • 1/2 oz fresh lime juice
Shake with vigor and strain into a chilled cocktail glass - any glass you have that will show off the fine coloring of this delightful adult beverage. You can garnish with a lime wheel, but actually I prefer not to and advise against it. Despite appearing in the pictures here, I think the garnish messes with the serene beauty of the drink.

The Mai Tai

If you have not had a Mai Tai at the House Without a Key in Waikiki, you cannot be blamed for thinking that this is a sickly sweet "umbrella drink" made with rum, sour mix, and pineapple juice. Fun while eating at your local Tiki-themed restaurant, but not to be taken seriously.

Ladies and gentlemen, the Mai Tai is a serious drink. Made well, as demonstrated by the House Without a Key, it is elegant, potent, and flavorful - and not too sweet at all. Of course, if you are averse to even a touch of sweetness in a cocktail, you might find this too sugary, but try it anyway. You will be surprised. I certainly was. I made it my mission to try as many Mai Tais as I could find in Oahu, realizing ahead of time that I would be in for many a generic pineapple drink with umbrellas and fruit. A sucker tourist with a sugar headache. And I never, not once, had one as good as that at the House Without a Key. Even at the neighboring, fancy hotels with beach-side terraces. They were all made with pineapple juice (not an ingredient in the Mai Tai), were too sweet, and had a one-dimensional flavor, sort of like a mass-appeal drink for people to swill rather than savor.

Who invented the Mai Tai? I am not sure (Don the Beachcomber claimed to have invented it in 1933), but Trader Vic's Victor Bergeron has a good story about creating it in 1944:

I was at the service bar in my Oakland restaurant. I took down a bottle of 17-year-old rum. It was J. Wray Nephew from Jamaica; surprisingly golden in color, medium bodied, but with the rich pungent flavor particular to the Jamaican blends. The flavor of this great rum wasn't meant to be overpowered with heavy additions of fruit juices and flavorings. I took a fresh lime, added some orange curacao from Holland, a dash of Rock Candy Syrup, and a dollop of French Orgeat, for its subtle almond flavor. A generous amount of shaved ice and vigorous shaking by hand produced the marriage I was after. Half the lime shell went in for color ... I stuck in a branch of fresh mint and gave two of them to Ham and Carrie Guild, friends from Tahiti, who were there that night. Carrie took one sip and said, 'Mai Tai - Roa Ae.' In Tahitian this means 'Out of This World - The Best.' Well, that was that. I named the drink Mai Tai. - From "Mai Tai" in the Bartenders Database, retrieved 2011-4-30.
You can find the classic recipes used at Trader Vic's and Don the Beachcomber's here. My recipe is down below.

After a visit to the islands, in a state of despair at being back in Boston after time spent in paradise, I set about to emulate the Mai Tai at House Without a Key. I wanted it to be strong and not too sweet. As a starting point, I looked at Dale DeGroff's recipe in The Craft of the Cocktail, and I looked at Gary Regan's recipe in Joy of Mixology, as these two books have informed and inspired me endlessly. In the end I adapted their formulas until I found a drink that closely resembled the Mai Tai I recalled from House Without a Key, but which has its own distinctions.

This cocktail is more about the right flavors than the name on the bottles, but I suggest Cruzan Aged Rum as a starting point, as it is inexpensive but good quality, and not too fine to mix. From there, try longer-aged gold/amber rums. Some darker rums (Whaler's, Myers's) strike me as too bitter to be the main ingredient in this drink, but can be floated on the top to create a teak-colored surface that tempers the sweetness of the curacao. Also, many recipes (such as these) call for a combination of aged golden and dark rums in the drink, and it is certainly fun to experiment. One more note: This drink calls for orgeat (a sweet syrup with an almond flavor) or falernum (a similar sugar syrup, with more of a clove flavor), which can be hard to track down (I found them, along with a huge collection of bitters, at The Boston Shaker). These syrups make the drink quite sweet if over-used, so I actually substitute those with amaretto liqueur, and it adds the almond nuance without the sugar syrup sweetness.

The Mai Tai is a perfect summer cocktail - and a true classic. Drink it while listening to Andy Cummings' song "Waikiki," or any other Hawaiian music from the 20s or 30s (sung in English, called hapa haole) and you can almost imagine the sweet, fragrant breezes of the south Pacific caressing your senses as beachboys surf the long waves of Waikiki beach with lovely wahines held aloft in their burnished arms...

Mai Tai at House Without a Key
Mai Tai

2 oz aged rum
3/4 oz orange curacao
3/4 oz fresh lime juice
1/4 oz amaretto liqueur
Float of dark rum

Shake the ingredients with ice, and strain into an Old Fashioned glass (rocks glass) over ice cubes.

Float 1/4 oz or so of dark rum over the surface (I use Gosling's Black Rum).

Garnish with a lime round and a mint sprig (unless you have orchids). Thread the mint sprig stem through the center of the lime and float in the middle of the glass. Bottoms up!