Showing posts with label orange bitters. Show all posts
Showing posts with label orange bitters. Show all posts

Sunday, April 19, 2015

The Original Martini


It is feasible that one could dedicate the rest of his or her time on this planet researching the origins of the famed Martini—"King of Cocktails." Clues to its creation abound, but so do dead ends, follies, and inconsistencies.

The recipe I am posting here is not for today's typical dry Martini—though it is dry compared to the earliest iterations of the drink, which date to the mid-1800s—since this version probably has far more vermouth in it than any self-proclaimed dry Martini aficionado would tolerate. No, rather than merely washing the ice, or swirling and discarding the vermouth, or opening the cap and allowing the fan to blow the essence across the glass, this calls for a full half ounce of a good dry vermouth. And it even has bitters in it.

I realize that some basic Martini background and lore may be necessary.

For the very basic crash course: today's classic Martini tends to be dry gin and dry vermouth, mixed in a ratio that has as many variables as there are Martini drinkers. Some prefer two or three parts gin to one part vermouth. Some prefer a dash of vermouth, with the emphasis on the gin. There are many tales of people who warn that the vermouth and the gin should never meet, instead insisting that a mere glance at the vermouth bottle is sufficient. Basically, the less vermouth, the drier the Martini. The garnishes go along accordingly, from lemon twists to green olives to the Gibson's cocktail onion. (Though some might argue with including the Gibson Cocktail on this list, to this drinker the Gibson is essentially a very dry martini, with a pickled onion instead of an olive or twist; the Gibson has its own lore, and is worthy of its own entry at some point. The main difference, aside from the onion, is that the Martini originally utilized bitters, and the Gibson never has.)

As reported in "Drink Recipes: How to Make a Dry Martini, Classic Cocktails" (Thirsty NYC):
The ratio of gin to vermouth has been steadily increasing since the cocktail was created. A ratio of 1:1 was common at the turn of the 20th century, and 3:1 or 4:1 martinis were typical during the 1930s and 1940s. During the latter part of the 20th century, 6:1, 8:1, 12:1, or even 50:1 or 100:1 Martinis became considered the norm.
The more I consider this, in fact, the more I think a dry Martini is the most uptight drink in the world: there is an over-abundance of specific rituals and requests when it comes down to making it, despite the fact that it is basically just cold gin with endless possible ratios of vermouth. It's pompous, uptight, and controlling—even if it has its pleasures, too. "Americans in hell tell each other how to make Martinis," wrote Randall Jarrell in Pictures from an Institution (1954). I encourage you to read more on this angle—and, incidentally, where the so-called 'vodka" Martini stands—in the very interesting Washington Post article "Stirrings of a Better Martini."

Anyway, now that I have likely offended the "serious" Martini drinkers among you (forgive me), let's talk Martinis a bit. Then I'll give you the recipe I am so thrilled about.

Where does the Martini come from? Who can lay claim to making the first one? In The Craft of the Cocktail, preeminent mixologist and founder of the Museum of the American Cocktail Dale DeGroff offers some clues:
The British claim the Martini was named after a late-nineteenth-century firearm of the same name, famous for its kick. The Martini & Rossi Vermouth company take credit for its name, since vermouth is the defining ingredient in the Martini, and they did market a bottled dry Martini around the world in the 1890s. Martini di Arma di Taggia, the principal bartender at the Knickerbocker Hotel in New York City at the turn of the century, is also given credit for the Martini. Mr. Di Taggia played an important role in the evolution of the drink when he married dry gin with dry vermouth (and orange bitters) for the first time, but there's more to the story. There was a cocktail in the 1850s called the Fancy Gin Cocktail that paired Old Tom Gin and orange curaçao. At the time the Fancy Gin became popular, Martini & Rossi Vermouth was not readily available in this country, the Martini and Henry rifle was still on the drawing board, and Martini di Arma di Taggia was just a small boy.
Cocktailian Gary "Gaz" Regan writes in The Joy of Mixology, "My research points toward the drink being a direct descendant of the Manhattan. Recipes for the Martini started to appear in the cocktail books in the late 1800s, and many of them were very similar, and sometimes identical, to recipes for the Martinez, a cocktail that appeared in print in the 1880s and was often described as 'a Manhattan, substituting gin for the whiskey.' Thus, theoretically at least, the Martinez was a variation on the Manhattan, and the Martini is, for all intents and purposes, a Martinez."

Got it?

Perhaps David Wondrich puts it best in his book Imbibe!: "In the absence of certainty, bullshit blooms." Wondrich uses a series of historic pros and cons to present an investigation of the Martini's origins. If you want the details, you should buy or borrow the book, as they are too extensive to include here. However, in short, Wondrich posits four possibilities:
  1. The cocktail was created by famed bartender Jerry Thomas, who was working in San Francisco at the time (1860s) and who ostensibly created the drink for a traveler bound for the East Bay town Martinez (verdict: "extremely unlikely").
  2. Martinez, Calif., bartender Julio Richelieu invented the drink in the 1870s "as change for a gold nugget a miner gave him," and the elixir became popular when Richelieu relocated his business to San Francisco's Market Street (verdict: "unlikely, and will remain so until [the town of] Martinez documents its claim"). 
  3. The Martini was born in New York's Manhattan Club, invented by a New York judge named Randolph B. Martine in the mid-1880s (verdict: "possible, but not proven"). 
  4. The Martini was created at New York's Turf Club—and there is a documented "Turf Club Cocktail" made of gin and vermouth published in 1884, the same year the first Martinez reference appears—but it seems to be illusory as the Turf Club Cocktail was also reportedly another name for a mix of whiskey, vermouth, and bitters (otherwise known as a Manhattan). 
"In a muddle like this, anything is possible," Wondrich concludes. Are we clear on this now?

For the record, I'm not a routine Martini drinker—I do enjoy Martinis, and I tend to like them fairly dry, but I am not particularly persnickety about the gin used (I like a variety of brands) or the dry vermouth. I certainly do not spend time specifying in detail how little vermouth to mix with the gin. More accurately, though, I order Martinis dry in order to minimize the chance of a poorly made drink. After all, how can you bungle chilled gin with a splash of dry vermouth? When in doubt about an establishment's ability to make a Manhattan (whiskey, sweet vermouth, bitters), I order a Martini.

So when I stumbled upon the "Original Martini" being offered at Workshop Kitchen + Bar in Palm Springs, California, I was intrigued by its ingredients of Plymouth Dry Gin, Dolin Dry Vermouth, Angostura Orange Bitters, and lemon oils. First, in the dry heat of the California desert, it sounded refreshing. Second, it presented itself as a true cocktail with bitters—something that seems to have been factored out of today's typical dry Martinis. I tend to appreciate the depth created by judicious application of vermouth and bitters, so I ordered it, and it was a revelation for me. Suddenly, I enjoyed a dry Martini in a true and honest way. So much so that I wanted to figure out the ratios of the ingredients so I could make it for myself.

The ingredients, here, are rather important—though, assuredly, you can probably approximate the taste with other brands. You can use other dry gins, or other French vermouths such as Noilly-Prat, but I advise staying with the Angostura Orange Bitters, as they are virtually clear and will no discolor the cocktail, allowing it to retain its pleasing crystal clarity."We don't know who poured the very first true Dry Martini—that is, Plymouth or London dry gin mixed with French vermouth and no syrup," writes Wondrich in his preamble to the recipe for the Dry Martini Cocktail in Imbibe! "Mixed like this, with half gin and half vermouth and a dash of orange bitters, the Martini is an entirely different drink from the one we know and, as many still believe, a superior one. For those who have learned the Dry Martini as a fiery chalice of unmixed tanglefoot, it will come as a revelation."

Knickerbocker Hotel, c. 1909
On their menu, Workshop Kitchen + Bar aligns their recipe for the "Original Martini" to that of "head bartender at the Knickerbocker Hotel in NYC, Martini di Arma di Taggia’s original recipe from 1911." According the The Nibble, some folks assert that di Taggia made his Martini for "America’s first billionaire, John D. Rockefeller, co-founder of the Standard Oil Company. True or not, it seems to be the first time the Martini made its way to Wall Street, and then Madison Avenue, where the 'three Martini lunch' was a standard among executives for decades. By the way, Rockefeller’s Martini was made with London Dry Gin, dry vermouth, bitters, lemon peel and one olive."

So there we are, come full circle, and none the wiser for it. Without further delay, I provide my version of the recipe for one of the better Martinis I have had the pleasure of tasting.

The Original Martini

  • 3 oz Plymouth dry gin
  • 1/2 oz Dolin dry vermouth
  • 2 dashes Angostura Orange Bitters
  • Oils from a few swaths of lemon peel
  • Castelvetrano olive
Take a swath of lemon peel and gently spritz the citrus oil into a mixing glass. Discard the peel. Add the bitters, the gin, and the vermouth, and stir with ice until very cold (fifty brisk stirs). Strain the clear, cold concoction into the glass. Take another swath of lemon peel and spritz the oils across the surface of the drink (again discard the peel). Garnish with an olive (or a Tomolive), and enjoy while the drink is cold.

By the way, the reason one stirs a Martini is to help the clear liquors retain their brilliant clarity, whereas shaking it with ice creates a murky effervescence that is not quite as pleasing to the eye. Plus, as Gary Regan says, "the sight of a bartender lovingly stirring this drink for at least twenty to thirty seconds is something people enjoy." 

Bottoms up!



Sunday, December 21, 2014

And to All a Good Night


I managed one post last year and I will manage one again, this year. You can all blame the mighty Manhattan for my absence, for I have been sunk in its ever-evolving charms and comforting elegance throughout the past year. 

Now, however, that is beside the point. I am in the throes of addiction to a new magic.

It is December 21, 2014. The Winter Solstice. The Winter Solstice marks the longest night of the year. And this year, it will be the longest night in "the history of earth" (according to science -- or not). So, on the cusp of the longest night in 4.5 billion years, I am here to tell you about a spicy little number called, fittingly, And to All a Good Night. 

Forget that Christmas poem. At least, you will once a few of these have lubricated your puzzler. Attributed to Tim Stookey of the Presidio Social Club in San Francisco, this cocktail with the unwieldy name has won my heart over the past few weeks. And, it is a truly unusual tipple in that it brazenly mixes bourbon (or rye) with tequila. And then throws in a bit of Cherry Heering. On paper this sounds truly unpleasant, but not so much that I wasn't intrigued. So I got to work.

Some recommendations for liquor: First of all, while this was originally billed with bourbon, I can tell you that, so far, this has worked best for me with a nice, strong, spicy rye. I used Bulleit and it definitely added some nuances that were lost to Old Overholt. I would opt for a similar route with bourbon--go for something with a little oomph in the spice department. As for the tequila, I used a Espolón reposado, which worked nicely. I haven't experimented too much with different reposados, but it would be worth the effort I think. Then you have your Cherry Heering (no substitutes) and your bitters. I tried this with Angostura Orange bitters, and it fell short. You really will benefit from the Regan's orange bitters. They demonstrate more peel bitterness, and have quite a bite. Then a dash of Angostura bitters for that distinctive depth. Obviously, tastes differ -- which is why it is fun to play around with these cocktail recipes.

So what would such a mix of ingredients taste like? I was surprised. First of all, the orange oils from the garnish give this a sumptuous, magical bouquet. And each sip revealed (to these taste buds, at least) the richness of chocolate; a deep, dark hint of cherry fruit; and a lot of spiciness--using Bulleit rye I found a range of sparkling, palate-rousing mint, cinnamon, cocoa, pepper, vanilla. The tequila will add its own complimentary notes, which in retrospect is not so surprising, considering it too is aged in wood and carries a spicy whomp. 

The marvel, with this drink, is how all the flavors blend together into a most harmonious whole. Exactly as it should be with a superlative cocktail. So, my lovelies, get to work.

And to All a Good Night
  • 1 1/2 oz bourbon or rye 
  • 3/4 oz reposado tequila 
  • 3/4 oz Cherry Heering
  • 2 dashes Regan's orange bitters 
  • 1 dash Angostura bitters
  • Orange twist 
Combine the ingredients in a mixing glass with ice and stir until cold. Strain into a glass, take a swath of orange peel and gently spritz the oil across the surface (you can even try flaming it), deposit the peel in the glass, lift it to your lips, tilt the glass gently to no more than a 45 degree angle (toward your mouth, of course), and savor.

"Happy Christmas to all, and to all a good-night!" And, I say, bottoms up.




Saturday, December 31, 2011

The Kentucky Fix

If you enjoy coffee and you have a taste for bourbon, then you will most certainly appreciate the coffee-infused bourbon at the heart of this delicious and simple cocktail, which is in the style of the classic Old Fashioned. In addition to the obvious medicinal qualities of bourbon, one benefits from a gentle kick of caffeine. This is an elegant, sophisticated, wholly adult beverage.

You have to start by infusing the bourbon with full-bodied coffee beans. It's a painless procedure. Put a quarter cup of fresh, whole coffee beans and two cups of bourbon in a jar with a tight-fitting lid. Let the mixture sit for 12 hours, and then strain out the coffee beans (you might use cheesecloth to keep the smaller particles out of the liquor).

That said, I am known to be a lazy man. I rarely endeavor to make infusions, even simple ones such as described above. The truth is, I am not only slothful, but impatient. I don't like to wait for anything, whether it is public transportation or late-arriving guests, a slow walking companion, or 12-hour infusions. When I seek to slake my thirst, I demand immediate satisfaction, as I am sure you do as well. So, when I have actually planned ahead and made an infusion, it is a particular treat to enjoy. We made a batch prior to the Christmas holiday, and my wife and I enjoyed one on Christmas Eve (or truthfully, Christmas Eve day). Delicious - and I must say it perked us up a bit too.

The Kentucky Fix
  • 2 oz coffee-infused bourbon (recipe here)
  • 1 big barspoon of demerara sugar
  • 2 dashes Regan's Orange Bitters
  • 1 dash Fee Bros. Whiskey Barrel-Aged Bitters
  • Garnish: flamed orange peel
In a mixing glass, combine the sugar, the bitters, and the infused bourbon. Stir to dissolve the sugar. Add ice, and stir until very cold (count to 50). Strain into a rocks glass with freshly cracked ice. Flame a thick swatch of orange peel over the drink, and drop the peel in.

If you are in doubt about how to flame a peel, check out the technique on my Infusions, Syrups, Concoctions page.

Bottoms up - and a very happy New Year to you!













Tuesday, November 15, 2011

Romeo & Juliet Manhattan

Parting is such sweet sorrow...

The Romeo & Juliet Manhattan is simply a variation on the traditional Manhattan, albeit with something of a bittersweet tone, redolent of orange peel and darker flavors of leather, raisin, burnt sugar, violet, and nutmeg. This nuance is due to the tryst of Carpano Punt e Mes - an aperitif similar to sweet vermouth, but with a mild bitterness that brings to mind an amaro - and Carpano Antica sweet vermouth. These two combine nicely, tempering each other's more passionate qualities without losing their ardor. 

Similarly, the combination of Angostura and orange bitters highlight the bouquet of fruit and spice in both Punt e Mes and Carpano Antica.

Of course, all of this is happening under the all-encompassing embrace of bourbon. For those who find a standard Manhattan too sweet, this is worth a try.

The Carpano Antica and Punt e Mes are critical components to this, as they produce a harmonious interplay of flavors. Substituting the Carpano Antica will alter the character of the drink, but I realize it's not necessarily easy to find these bottles. So a regular vermouth could work instead. Punt e Mes should be easier to come by. 

Romeo & Juliet Manhattan

3 oz bourbon (Wild Turkey 101 is my choice)
1/2 oz Punt e Mes
1/2 oz Carpano Antica sweet vermouth
1-2 dashes Angostura bitters
1-2 dashes orange bitters (I recommend Regan's)

Stir all the ingredients with ice until nice and cold, and strain into a cocktail glass. Garnish with a cherry, skewered through the heart (O happy dagger, this is thy sheath).

Bottoms up.



Sunday, August 21, 2011

Bonal & Rye Cocktail

An interesting twist on the Manhattan Cocktail, the Bonal & Rye may not have a fancy sobriquet, but it is a very nice, well-balanced cocktail that plays up rye's notes of orange and grain to excellent effect.

Until recently, it was very difficult to find the French apéritif Bonal Gentiane-Quina. Thanks to a resurgence in classic cocktails, and an attendant quest for original ingredients, this is no longer the case. I found this at Dave's Fresh Pasta in Somerville, Massachusetts, which stocks an amazing variety of hard-to-find wines, vermouths, amari, digestifs, and apéritifs. If you're in the Boston area, you can also find Bonal at Cambridge Wine & Spirits (as of this post), a truly awesome liquor store for sheer breadth of choice.

Bonal, as described on the Haus Alpenz site:
Since 1865, this delicious aperitif wine has stood apart for its exceptional complexity, delightful flavors and stimulating palate. Serious to its role as aperitif, it was known as "ouvre l'appétit" - the key to the appetite. Found popular with sportsmen, Bonal became an early sponsor of the Tour de France. It is made by an infusion of gentian, cinchona (quinine) and renown herbs of the Grand Chartreuse mountains in a Mistelle base. Traditionally enjoyed neat or with a twist; also may enhance classic drinks in place of sweet red vermouth.
I tried this in a Manhattan in place of sweet vermouth, and it made a fine drink. It is more herbal than most vermouths, and has a bitter aftertaste; it changes the expression of the Manhattan in intriguing ways. I used two parts Old Overholt to one part Bonal, with a dash of Angostura Bitters and a dash of Regan's Orange Bitters. Bonal allowed the rye to shine through, and complemented its spiciness with a nice, mildly bitter finish.

After a cursory search online, I found the Bonal & Rye - credited to a bartender by the name of Todd Smith. If you're interested, you can read an article on the use of apéritifs such as Bonal, which mentions Mr Smith, in the San Francisco Chronicle. My version is the same as his, except I increase the rye by one ounce. Call me drunk or greedy, but I think the drink is a bit too sweet otherwise.

Along with Bonal Gentiane-Quina, you'll need a good rye. Now, I am a bourbon lover. But I really, really enjoy a good rye, and I have sampled a great many over the years. I highly recommend Rittenhouse 100-proof rye. Rittenhouse - named "North American Whiskey of the Year" at the 2006 San Francisco World Spirits Competition - is not only a delight, but a bargain at about $20. Other fine ryes (fairly easy to find these days) are Wild Turkey 101 Rye, Russell's Reserve Rye, Bulleit Rye, (rī)1, Redemption Rye, and Old Overholt Rye. All of them are worth checking out - and spending a little quality time with.

You'll also need Cointreau (or triple sec liqueur), orange bitters, and Angostura bitters. I advise that you don't overdo it on the Cointreau, as it is quite sweet; on the other hand, you can be a little more generous with the Bonal. But first, try it like this:

The Bonal & Rye Cocktail
  • 3 oz rye whiskey
  • 1 oz Bonal Gentiane-Quina 
  • 1/2 oz Cointreau
  • 2 dashes Regan's Orange Bitters
  • 1 dash Angostura Bitters
Shake with ice and strain into a chilled cocktail glass. Garnish with an orange twist; or, if you'd like to be more dashing, I dare you to flame an orange peel over the drink. Be careful playing with fire.

Bottoms up!

Saturday, June 25, 2011

The Night Tripper Cocktail

On June 18, I disclosed the recipes for black peppercorn-infused vodka and my very own Dirty Cur Cocktail, a riff on the Salty Dog. And it was good. Since then, I have been playing mad scientist. The flavor of the infused vodka is rich and peppery, spicy and bold. The color is amber. It inspires experimentation. The flavor has real potential in cocktails.

I call this one the Night Tripper because I devised it while listening to Dr. John, The Night Tripper's Gris-Gris album, and it includes absinthe (popular in New Orleans). So there is a certain Crescent City-inspired atmosphere at work. Like Dr. John's debut album - a swampy, psychedelic, sultry, voodoo-sounding work of art (in my opinion) - this drink has mojo. It is
 spicy, mysterious, and satisfying. You can play around with the proportions and the supporting ingredients. And it packs a punch.


The Night Tripper Cocktail
  • 2 oz black peppercorn-infused vodka (recipe here)
  • 1 oz sweet vermouth (My choice is Carpano Antica Formula, but any sweet vermouth is fine)
  • Splash of absinthe (I use Kübler in this; also try Pernod, Herbsaint, or other absinthe substitute)
  • Dash Angostura Orange Bitters
  • Orange twist for garnish
In a chilled cocktail glass, add the absinthe and swirl to coat. Discard (and not into the sink, barbarian). In a shaker with ice, add the infused vodka, bitters, and the vermouth. Shake vigorously and strain into the cocktail glass. Add the orange twist.

Feel the mysterious flavors of the pepper and fruit, with the dark undertone of absinthe.

Bottoms up. Let me know what you think.