Showing posts with label Dale DeGroff. Show all posts
Showing posts with label Dale DeGroff. Show all posts

Sunday, April 19, 2015

The Original Martini


It is feasible that one could dedicate the rest of his or her time on this planet researching the origins of the famed Martini—"King of Cocktails." Clues to its creation abound, but so do dead ends, follies, and inconsistencies.

The recipe I am posting here is not for today's typical dry Martini—though it is dry compared to the earliest iterations of the drink, which date to the mid-1800s—since this version probably has far more vermouth in it than any self-proclaimed dry Martini aficionado would tolerate. No, rather than merely washing the ice, or swirling and discarding the vermouth, or opening the cap and allowing the fan to blow the essence across the glass, this calls for a full half ounce of a good dry vermouth. And it even has bitters in it.

I realize that some basic Martini background and lore may be necessary.

For the very basic crash course: today's classic Martini tends to be dry gin and dry vermouth, mixed in a ratio that has as many variables as there are Martini drinkers. Some prefer two or three parts gin to one part vermouth. Some prefer a dash of vermouth, with the emphasis on the gin. There are many tales of people who warn that the vermouth and the gin should never meet, instead insisting that a mere glance at the vermouth bottle is sufficient. Basically, the less vermouth, the drier the Martini. The garnishes go along accordingly, from lemon twists to green olives to the Gibson's cocktail onion. (Though some might argue with including the Gibson Cocktail on this list, to this drinker the Gibson is essentially a very dry martini, with a pickled onion instead of an olive or twist; the Gibson has its own lore, and is worthy of its own entry at some point. The main difference, aside from the onion, is that the Martini originally utilized bitters, and the Gibson never has.)

As reported in "Drink Recipes: How to Make a Dry Martini, Classic Cocktails" (Thirsty NYC):
The ratio of gin to vermouth has been steadily increasing since the cocktail was created. A ratio of 1:1 was common at the turn of the 20th century, and 3:1 or 4:1 martinis were typical during the 1930s and 1940s. During the latter part of the 20th century, 6:1, 8:1, 12:1, or even 50:1 or 100:1 Martinis became considered the norm.
The more I consider this, in fact, the more I think a dry Martini is the most uptight drink in the world: there is an over-abundance of specific rituals and requests when it comes down to making it, despite the fact that it is basically just cold gin with endless possible ratios of vermouth. It's pompous, uptight, and controlling—even if it has its pleasures, too. "Americans in hell tell each other how to make Martinis," wrote Randall Jarrell in Pictures from an Institution (1954). I encourage you to read more on this angle—and, incidentally, where the so-called 'vodka" Martini stands—in the very interesting Washington Post article "Stirrings of a Better Martini."

Anyway, now that I have likely offended the "serious" Martini drinkers among you (forgive me), let's talk Martinis a bit. Then I'll give you the recipe I am so thrilled about.

Where does the Martini come from? Who can lay claim to making the first one? In The Craft of the Cocktail, preeminent mixologist and founder of the Museum of the American Cocktail Dale DeGroff offers some clues:
The British claim the Martini was named after a late-nineteenth-century firearm of the same name, famous for its kick. The Martini & Rossi Vermouth company take credit for its name, since vermouth is the defining ingredient in the Martini, and they did market a bottled dry Martini around the world in the 1890s. Martini di Arma di Taggia, the principal bartender at the Knickerbocker Hotel in New York City at the turn of the century, is also given credit for the Martini. Mr. Di Taggia played an important role in the evolution of the drink when he married dry gin with dry vermouth (and orange bitters) for the first time, but there's more to the story. There was a cocktail in the 1850s called the Fancy Gin Cocktail that paired Old Tom Gin and orange curaçao. At the time the Fancy Gin became popular, Martini & Rossi Vermouth was not readily available in this country, the Martini and Henry rifle was still on the drawing board, and Martini di Arma di Taggia was just a small boy.
Cocktailian Gary "Gaz" Regan writes in The Joy of Mixology, "My research points toward the drink being a direct descendant of the Manhattan. Recipes for the Martini started to appear in the cocktail books in the late 1800s, and many of them were very similar, and sometimes identical, to recipes for the Martinez, a cocktail that appeared in print in the 1880s and was often described as 'a Manhattan, substituting gin for the whiskey.' Thus, theoretically at least, the Martinez was a variation on the Manhattan, and the Martini is, for all intents and purposes, a Martinez."

Got it?

Perhaps David Wondrich puts it best in his book Imbibe!: "In the absence of certainty, bullshit blooms." Wondrich uses a series of historic pros and cons to present an investigation of the Martini's origins. If you want the details, you should buy or borrow the book, as they are too extensive to include here. However, in short, Wondrich posits four possibilities:
  1. The cocktail was created by famed bartender Jerry Thomas, who was working in San Francisco at the time (1860s) and who ostensibly created the drink for a traveler bound for the East Bay town Martinez (verdict: "extremely unlikely").
  2. Martinez, Calif., bartender Julio Richelieu invented the drink in the 1870s "as change for a gold nugget a miner gave him," and the elixir became popular when Richelieu relocated his business to San Francisco's Market Street (verdict: "unlikely, and will remain so until [the town of] Martinez documents its claim"). 
  3. The Martini was born in New York's Manhattan Club, invented by a New York judge named Randolph B. Martine in the mid-1880s (verdict: "possible, but not proven"). 
  4. The Martini was created at New York's Turf Club—and there is a documented "Turf Club Cocktail" made of gin and vermouth published in 1884, the same year the first Martinez reference appears—but it seems to be illusory as the Turf Club Cocktail was also reportedly another name for a mix of whiskey, vermouth, and bitters (otherwise known as a Manhattan). 
"In a muddle like this, anything is possible," Wondrich concludes. Are we clear on this now?

For the record, I'm not a routine Martini drinker—I do enjoy Martinis, and I tend to like them fairly dry, but I am not particularly persnickety about the gin used (I like a variety of brands) or the dry vermouth. I certainly do not spend time specifying in detail how little vermouth to mix with the gin. More accurately, though, I order Martinis dry in order to minimize the chance of a poorly made drink. After all, how can you bungle chilled gin with a splash of dry vermouth? When in doubt about an establishment's ability to make a Manhattan (whiskey, sweet vermouth, bitters), I order a Martini.

So when I stumbled upon the "Original Martini" being offered at Workshop Kitchen + Bar in Palm Springs, California, I was intrigued by its ingredients of Plymouth Dry Gin, Dolin Dry Vermouth, Angostura Orange Bitters, and lemon oils. First, in the dry heat of the California desert, it sounded refreshing. Second, it presented itself as a true cocktail with bitters—something that seems to have been factored out of today's typical dry Martinis. I tend to appreciate the depth created by judicious application of vermouth and bitters, so I ordered it, and it was a revelation for me. Suddenly, I enjoyed a dry Martini in a true and honest way. So much so that I wanted to figure out the ratios of the ingredients so I could make it for myself.

The ingredients, here, are rather important—though, assuredly, you can probably approximate the taste with other brands. You can use other dry gins, or other French vermouths such as Noilly-Prat, but I advise staying with the Angostura Orange Bitters, as they are virtually clear and will no discolor the cocktail, allowing it to retain its pleasing crystal clarity."We don't know who poured the very first true Dry Martini—that is, Plymouth or London dry gin mixed with French vermouth and no syrup," writes Wondrich in his preamble to the recipe for the Dry Martini Cocktail in Imbibe! "Mixed like this, with half gin and half vermouth and a dash of orange bitters, the Martini is an entirely different drink from the one we know and, as many still believe, a superior one. For those who have learned the Dry Martini as a fiery chalice of unmixed tanglefoot, it will come as a revelation."

Knickerbocker Hotel, c. 1909
On their menu, Workshop Kitchen + Bar aligns their recipe for the "Original Martini" to that of "head bartender at the Knickerbocker Hotel in NYC, Martini di Arma di Taggia’s original recipe from 1911." According the The Nibble, some folks assert that di Taggia made his Martini for "America’s first billionaire, John D. Rockefeller, co-founder of the Standard Oil Company. True or not, it seems to be the first time the Martini made its way to Wall Street, and then Madison Avenue, where the 'three Martini lunch' was a standard among executives for decades. By the way, Rockefeller’s Martini was made with London Dry Gin, dry vermouth, bitters, lemon peel and one olive."

So there we are, come full circle, and none the wiser for it. Without further delay, I provide my version of the recipe for one of the better Martinis I have had the pleasure of tasting.

The Original Martini

  • 3 oz Plymouth dry gin
  • 1/2 oz Dolin dry vermouth
  • 2 dashes Angostura Orange Bitters
  • Oils from a few swaths of lemon peel
  • Castelvetrano olive
Take a swath of lemon peel and gently spritz the citrus oil into a mixing glass. Discard the peel. Add the bitters, the gin, and the vermouth, and stir with ice until very cold (fifty brisk stirs). Strain the clear, cold concoction into the glass. Take another swath of lemon peel and spritz the oils across the surface of the drink (again discard the peel). Garnish with an olive (or a Tomolive), and enjoy while the drink is cold.

By the way, the reason one stirs a Martini is to help the clear liquors retain their brilliant clarity, whereas shaking it with ice creates a murky effervescence that is not quite as pleasing to the eye. Plus, as Gary Regan says, "the sight of a bartender lovingly stirring this drink for at least twenty to thirty seconds is something people enjoy." 

Bottoms up!



Sunday, August 28, 2011

Hello, Hurricane Irene


Image courtesy of Reuters.
Today, Massachusetts is expecting the arrival of "greatly weakened" Hurricane Irene - most likely reduced to a tropical storm by the time it reaches us. Nonetheless, today there is no public transportation. Torrential, sideways rain. Violent wind. Since I have no desire to leave the house and possibly get my head staved in by a falling tree, I have decided that the approach of Irene warrants a couple of recipes appropriate for the day. Just for shits and giggles.

That means, of course, the Dark 'n' Stormy and the Hurricane.

The Dark 'n' Stormy was created in Bermuda sometime after WWI, and its recipe i
s actually protected by trademark. According to Jonathan Miles's article in the New York Times, "The Right Stuff (By Law)," a Dark 'n' Stormy has to be made with Gosling's Black Seal Rum. That's right. Current Gosling's owner E. Malcolm Gosling Jr. cautions that “People will try one with some other rum, and then say, what’s the big deal with this drink?”

That said, it is best with Gosling's rum, due to the rum's unique characteristics and dark hue. When I visited Bermuda, briefly in 2009, I had the opportunity (many,
 actually) to try these "on location." Though Gosling's was the only rum ever used, and Barritt's tended to be the ginger beer of choice, the actual ratios must have varied wildly because the cocktails would range from potent, strongly flavored concoctions to weak, watered-down affairs in cheap, plastic cups (see image below).

This sticks to the original ingredients, but with a slightly higher ration of rum than the Gosling's trademark "Dark 'n' Stormy®" calls for. I have been known to add a dash or two of Angostura Bitters to this drink, to pleasing effect. Don't sue me though.

The Dark & Stormy Cocktail
  • 2 oz Gosling's Black Seal Rum 
  • Gosling’s Stormy Ginger Beer or Barritt’s ginger beer (both from Bermuda); or, any ginger beer with a snap. 
  • Lime wedge (I use about a quarter of a lime) 
Take your lime wedge and squeeze into a highball glass filled with ice. Add the rum, top-off with the ginger beer, and stir gently.

Okay, on to The Hurricane. Allegedly created in the 1940s by New Orleans tavern owner Pat O'Brien. Now, way down yonder in New Orleans, tourists drink these like water, in giant, 32-ounce to-go cups. "To go." Only in New Orleans. Of course, it is guaranteed that aforementioned tourists get soused and obnoxious and then do embarrassing things on Bourbon Street. I had a Hurricane in New Orleans. It was like Kool-Aid. It came in a giant cup. I refrained from having a second.

That said, I don't actually make this drink, so I can't recommend it or steer you away. It is here today because it is called the Hurricane. It is sweet. It has many ingredients. This particular recipe is taken from Dale DeGroff's fine book, Craft of the Cocktail. DeGroff enlightens us that:
According to Brian Rea, there were two versions. The first was a drink of the early twentieth century that contained Cognac, absinthe, and Polish vodka. The rum-juice combination appears to have surfaced at the 1939 World's Fair in New York, at the Hurricane Bar. I suspect that Rea is right - neither the drink nor Pat O'Brien's appear in the 1937 Famous Drinks of New Orleans, by Stanley Clisby Arthur.

The Hurricane

1 oz dark rum
1 oz light rum
1/2 oz Galliano
3/4 oz fresh lime juice
2 oz passion fruit nectar, or in a pinch, passion fruit syrup
2 oz fresh orange juice
2 oz pineapple juice
1 oz simple syrup
Dash Angostura Bitters
Fresh tropical fruit for garnish

Shake all the ingredients with ice and strain into a hurricane glass filled with ice. Add the garnish. Bottoms up! If Hurricane Irene doesn't blow us away, a couple of these sure will. 




Sunday, May 1, 2011

The Mai Tai

If you have not had a Mai Tai at the House Without a Key in Waikiki, you cannot be blamed for thinking that this is a sickly sweet "umbrella drink" made with rum, sour mix, and pineapple juice. Fun while eating at your local Tiki-themed restaurant, but not to be taken seriously.

Ladies and gentlemen, the Mai Tai is a serious drink. Made well, as demonstrated by the House Without a Key, it is elegant, potent, and flavorful - and not too sweet at all. Of course, if you are averse to even a touch of sweetness in a cocktail, you might find this too sugary, but try it anyway. You will be surprised. I certainly was. I made it my mission to try as many Mai Tais as I could find in Oahu, realizing ahead of time that I would be in for many a generic pineapple drink with umbrellas and fruit. A sucker tourist with a sugar headache. And I never, not once, had one as good as that at the House Without a Key. Even at the neighboring, fancy hotels with beach-side terraces. They were all made with pineapple juice (not an ingredient in the Mai Tai), were too sweet, and had a one-dimensional flavor, sort of like a mass-appeal drink for people to swill rather than savor.

Who invented the Mai Tai? I am not sure (Don the Beachcomber claimed to have invented it in 1933), but Trader Vic's Victor Bergeron has a good story about creating it in 1944:

I was at the service bar in my Oakland restaurant. I took down a bottle of 17-year-old rum. It was J. Wray Nephew from Jamaica; surprisingly golden in color, medium bodied, but with the rich pungent flavor particular to the Jamaican blends. The flavor of this great rum wasn't meant to be overpowered with heavy additions of fruit juices and flavorings. I took a fresh lime, added some orange curacao from Holland, a dash of Rock Candy Syrup, and a dollop of French Orgeat, for its subtle almond flavor. A generous amount of shaved ice and vigorous shaking by hand produced the marriage I was after. Half the lime shell went in for color ... I stuck in a branch of fresh mint and gave two of them to Ham and Carrie Guild, friends from Tahiti, who were there that night. Carrie took one sip and said, 'Mai Tai - Roa Ae.' In Tahitian this means 'Out of This World - The Best.' Well, that was that. I named the drink Mai Tai. - From "Mai Tai" in the Bartenders Database, retrieved 2011-4-30.
You can find the classic recipes used at Trader Vic's and Don the Beachcomber's here. My recipe is down below.

After a visit to the islands, in a state of despair at being back in Boston after time spent in paradise, I set about to emulate the Mai Tai at House Without a Key. I wanted it to be strong and not too sweet. As a starting point, I looked at Dale DeGroff's recipe in The Craft of the Cocktail, and I looked at Gary Regan's recipe in Joy of Mixology, as these two books have informed and inspired me endlessly. In the end I adapted their formulas until I found a drink that closely resembled the Mai Tai I recalled from House Without a Key, but which has its own distinctions.

This cocktail is more about the right flavors than the name on the bottles, but I suggest Cruzan Aged Rum as a starting point, as it is inexpensive but good quality, and not too fine to mix. From there, try longer-aged gold/amber rums. Some darker rums (Whaler's, Myers's) strike me as too bitter to be the main ingredient in this drink, but can be floated on the top to create a teak-colored surface that tempers the sweetness of the curacao. Also, many recipes (such as these) call for a combination of aged golden and dark rums in the drink, and it is certainly fun to experiment. One more note: This drink calls for orgeat (a sweet syrup with an almond flavor) or falernum (a similar sugar syrup, with more of a clove flavor), which can be hard to track down (I found them, along with a huge collection of bitters, at The Boston Shaker). These syrups make the drink quite sweet if over-used, so I actually substitute those with amaretto liqueur, and it adds the almond nuance without the sugar syrup sweetness.

The Mai Tai is a perfect summer cocktail - and a true classic. Drink it while listening to Andy Cummings' song "Waikiki," or any other Hawaiian music from the 20s or 30s (sung in English, called hapa haole) and you can almost imagine the sweet, fragrant breezes of the south Pacific caressing your senses as beachboys surf the long waves of Waikiki beach with lovely wahines held aloft in their burnished arms...

Mai Tai at House Without a Key
Mai Tai

2 oz aged rum
3/4 oz orange curacao
3/4 oz fresh lime juice
1/4 oz amaretto liqueur
Float of dark rum

Shake the ingredients with ice, and strain into an Old Fashioned glass (rocks glass) over ice cubes.

Float 1/4 oz or so of dark rum over the surface (I use Gosling's Black Rum).

Garnish with a lime round and a mint sprig (unless you have orchids). Thread the mint sprig stem through the center of the lime and float in the middle of the glass. Bottoms up!