Showing posts with label Gary Regan. Show all posts
Showing posts with label Gary Regan. Show all posts

Sunday, April 19, 2015

The Original Martini


It is feasible that one could dedicate the rest of his or her time on this planet researching the origins of the famed Martini—"King of Cocktails." Clues to its creation abound, but so do dead ends, follies, and inconsistencies.

The recipe I am posting here is not for today's typical dry Martini—though it is dry compared to the earliest iterations of the drink, which date to the mid-1800s—since this version probably has far more vermouth in it than any self-proclaimed dry Martini aficionado would tolerate. No, rather than merely washing the ice, or swirling and discarding the vermouth, or opening the cap and allowing the fan to blow the essence across the glass, this calls for a full half ounce of a good dry vermouth. And it even has bitters in it.

I realize that some basic Martini background and lore may be necessary.

For the very basic crash course: today's classic Martini tends to be dry gin and dry vermouth, mixed in a ratio that has as many variables as there are Martini drinkers. Some prefer two or three parts gin to one part vermouth. Some prefer a dash of vermouth, with the emphasis on the gin. There are many tales of people who warn that the vermouth and the gin should never meet, instead insisting that a mere glance at the vermouth bottle is sufficient. Basically, the less vermouth, the drier the Martini. The garnishes go along accordingly, from lemon twists to green olives to the Gibson's cocktail onion. (Though some might argue with including the Gibson Cocktail on this list, to this drinker the Gibson is essentially a very dry martini, with a pickled onion instead of an olive or twist; the Gibson has its own lore, and is worthy of its own entry at some point. The main difference, aside from the onion, is that the Martini originally utilized bitters, and the Gibson never has.)

As reported in "Drink Recipes: How to Make a Dry Martini, Classic Cocktails" (Thirsty NYC):
The ratio of gin to vermouth has been steadily increasing since the cocktail was created. A ratio of 1:1 was common at the turn of the 20th century, and 3:1 or 4:1 martinis were typical during the 1930s and 1940s. During the latter part of the 20th century, 6:1, 8:1, 12:1, or even 50:1 or 100:1 Martinis became considered the norm.
The more I consider this, in fact, the more I think a dry Martini is the most uptight drink in the world: there is an over-abundance of specific rituals and requests when it comes down to making it, despite the fact that it is basically just cold gin with endless possible ratios of vermouth. It's pompous, uptight, and controlling—even if it has its pleasures, too. "Americans in hell tell each other how to make Martinis," wrote Randall Jarrell in Pictures from an Institution (1954). I encourage you to read more on this angle—and, incidentally, where the so-called 'vodka" Martini stands—in the very interesting Washington Post article "Stirrings of a Better Martini."

Anyway, now that I have likely offended the "serious" Martini drinkers among you (forgive me), let's talk Martinis a bit. Then I'll give you the recipe I am so thrilled about.

Where does the Martini come from? Who can lay claim to making the first one? In The Craft of the Cocktail, preeminent mixologist and founder of the Museum of the American Cocktail Dale DeGroff offers some clues:
The British claim the Martini was named after a late-nineteenth-century firearm of the same name, famous for its kick. The Martini & Rossi Vermouth company take credit for its name, since vermouth is the defining ingredient in the Martini, and they did market a bottled dry Martini around the world in the 1890s. Martini di Arma di Taggia, the principal bartender at the Knickerbocker Hotel in New York City at the turn of the century, is also given credit for the Martini. Mr. Di Taggia played an important role in the evolution of the drink when he married dry gin with dry vermouth (and orange bitters) for the first time, but there's more to the story. There was a cocktail in the 1850s called the Fancy Gin Cocktail that paired Old Tom Gin and orange curaçao. At the time the Fancy Gin became popular, Martini & Rossi Vermouth was not readily available in this country, the Martini and Henry rifle was still on the drawing board, and Martini di Arma di Taggia was just a small boy.
Cocktailian Gary "Gaz" Regan writes in The Joy of Mixology, "My research points toward the drink being a direct descendant of the Manhattan. Recipes for the Martini started to appear in the cocktail books in the late 1800s, and many of them were very similar, and sometimes identical, to recipes for the Martinez, a cocktail that appeared in print in the 1880s and was often described as 'a Manhattan, substituting gin for the whiskey.' Thus, theoretically at least, the Martinez was a variation on the Manhattan, and the Martini is, for all intents and purposes, a Martinez."

Got it?

Perhaps David Wondrich puts it best in his book Imbibe!: "In the absence of certainty, bullshit blooms." Wondrich uses a series of historic pros and cons to present an investigation of the Martini's origins. If you want the details, you should buy or borrow the book, as they are too extensive to include here. However, in short, Wondrich posits four possibilities:
  1. The cocktail was created by famed bartender Jerry Thomas, who was working in San Francisco at the time (1860s) and who ostensibly created the drink for a traveler bound for the East Bay town Martinez (verdict: "extremely unlikely").
  2. Martinez, Calif., bartender Julio Richelieu invented the drink in the 1870s "as change for a gold nugget a miner gave him," and the elixir became popular when Richelieu relocated his business to San Francisco's Market Street (verdict: "unlikely, and will remain so until [the town of] Martinez documents its claim"). 
  3. The Martini was born in New York's Manhattan Club, invented by a New York judge named Randolph B. Martine in the mid-1880s (verdict: "possible, but not proven"). 
  4. The Martini was created at New York's Turf Club—and there is a documented "Turf Club Cocktail" made of gin and vermouth published in 1884, the same year the first Martinez reference appears—but it seems to be illusory as the Turf Club Cocktail was also reportedly another name for a mix of whiskey, vermouth, and bitters (otherwise known as a Manhattan). 
"In a muddle like this, anything is possible," Wondrich concludes. Are we clear on this now?

For the record, I'm not a routine Martini drinker—I do enjoy Martinis, and I tend to like them fairly dry, but I am not particularly persnickety about the gin used (I like a variety of brands) or the dry vermouth. I certainly do not spend time specifying in detail how little vermouth to mix with the gin. More accurately, though, I order Martinis dry in order to minimize the chance of a poorly made drink. After all, how can you bungle chilled gin with a splash of dry vermouth? When in doubt about an establishment's ability to make a Manhattan (whiskey, sweet vermouth, bitters), I order a Martini.

So when I stumbled upon the "Original Martini" being offered at Workshop Kitchen + Bar in Palm Springs, California, I was intrigued by its ingredients of Plymouth Dry Gin, Dolin Dry Vermouth, Angostura Orange Bitters, and lemon oils. First, in the dry heat of the California desert, it sounded refreshing. Second, it presented itself as a true cocktail with bitters—something that seems to have been factored out of today's typical dry Martinis. I tend to appreciate the depth created by judicious application of vermouth and bitters, so I ordered it, and it was a revelation for me. Suddenly, I enjoyed a dry Martini in a true and honest way. So much so that I wanted to figure out the ratios of the ingredients so I could make it for myself.

The ingredients, here, are rather important—though, assuredly, you can probably approximate the taste with other brands. You can use other dry gins, or other French vermouths such as Noilly-Prat, but I advise staying with the Angostura Orange Bitters, as they are virtually clear and will no discolor the cocktail, allowing it to retain its pleasing crystal clarity."We don't know who poured the very first true Dry Martini—that is, Plymouth or London dry gin mixed with French vermouth and no syrup," writes Wondrich in his preamble to the recipe for the Dry Martini Cocktail in Imbibe! "Mixed like this, with half gin and half vermouth and a dash of orange bitters, the Martini is an entirely different drink from the one we know and, as many still believe, a superior one. For those who have learned the Dry Martini as a fiery chalice of unmixed tanglefoot, it will come as a revelation."

Knickerbocker Hotel, c. 1909
On their menu, Workshop Kitchen + Bar aligns their recipe for the "Original Martini" to that of "head bartender at the Knickerbocker Hotel in NYC, Martini di Arma di Taggia’s original recipe from 1911." According the The Nibble, some folks assert that di Taggia made his Martini for "America’s first billionaire, John D. Rockefeller, co-founder of the Standard Oil Company. True or not, it seems to be the first time the Martini made its way to Wall Street, and then Madison Avenue, where the 'three Martini lunch' was a standard among executives for decades. By the way, Rockefeller’s Martini was made with London Dry Gin, dry vermouth, bitters, lemon peel and one olive."

So there we are, come full circle, and none the wiser for it. Without further delay, I provide my version of the recipe for one of the better Martinis I have had the pleasure of tasting.

The Original Martini

  • 3 oz Plymouth dry gin
  • 1/2 oz Dolin dry vermouth
  • 2 dashes Angostura Orange Bitters
  • Oils from a few swaths of lemon peel
  • Castelvetrano olive
Take a swath of lemon peel and gently spritz the citrus oil into a mixing glass. Discard the peel. Add the bitters, the gin, and the vermouth, and stir with ice until very cold (fifty brisk stirs). Strain the clear, cold concoction into the glass. Take another swath of lemon peel and spritz the oils across the surface of the drink (again discard the peel). Garnish with an olive (or a Tomolive), and enjoy while the drink is cold.

By the way, the reason one stirs a Martini is to help the clear liquors retain their brilliant clarity, whereas shaking it with ice creates a murky effervescence that is not quite as pleasing to the eye. Plus, as Gary Regan says, "the sight of a bartender lovingly stirring this drink for at least twenty to thirty seconds is something people enjoy." 

Bottoms up!



Sunday, June 19, 2011

The Attention Cocktail

Here's an interesting recipe, using Rothman & Winter Crème de Violette and absinthe along with gin and dry vermouth. This was posted on the product page for Haus Alpenz importers. It's definitely worth a try, but how much you like it will depend on a few things: whether you enjoy the perfume-like flavor of the Crème de Violette, and whether you can tolerate the strong anise of the absinthe. And if you don't like gin, well, read no further.

By the way, if you're in the Boston vicinity and you're looking for an interesting selection of liqueurs, apéritifs, amari, and hard-to-find vermouths, check out the wine section at Dave's Fresh Pasta - located in Somerville's Davis Square.

Aside from the exotic flavor of this drink, you'll be pleased by the amazing violet hue it shows. It is a stunner, and will grab the attention of anyone in the room.

The Attention Cocktail
  • 2 oz dry gin
  • 1/4 oz Crème de Violette
  • 1/4 oz absinthe (I use Kübler)
  • 1/4 oz dry vermouth
  • 2 dashes, Regan's Orange Bitters
Shake with ice and strain into a chilled cocktail glass. Serve with a lemon twist. Bottoms up.

Sunday, May 1, 2011

The Mai Tai

If you have not had a Mai Tai at the House Without a Key in Waikiki, you cannot be blamed for thinking that this is a sickly sweet "umbrella drink" made with rum, sour mix, and pineapple juice. Fun while eating at your local Tiki-themed restaurant, but not to be taken seriously.

Ladies and gentlemen, the Mai Tai is a serious drink. Made well, as demonstrated by the House Without a Key, it is elegant, potent, and flavorful - and not too sweet at all. Of course, if you are averse to even a touch of sweetness in a cocktail, you might find this too sugary, but try it anyway. You will be surprised. I certainly was. I made it my mission to try as many Mai Tais as I could find in Oahu, realizing ahead of time that I would be in for many a generic pineapple drink with umbrellas and fruit. A sucker tourist with a sugar headache. And I never, not once, had one as good as that at the House Without a Key. Even at the neighboring, fancy hotels with beach-side terraces. They were all made with pineapple juice (not an ingredient in the Mai Tai), were too sweet, and had a one-dimensional flavor, sort of like a mass-appeal drink for people to swill rather than savor.

Who invented the Mai Tai? I am not sure (Don the Beachcomber claimed to have invented it in 1933), but Trader Vic's Victor Bergeron has a good story about creating it in 1944:

I was at the service bar in my Oakland restaurant. I took down a bottle of 17-year-old rum. It was J. Wray Nephew from Jamaica; surprisingly golden in color, medium bodied, but with the rich pungent flavor particular to the Jamaican blends. The flavor of this great rum wasn't meant to be overpowered with heavy additions of fruit juices and flavorings. I took a fresh lime, added some orange curacao from Holland, a dash of Rock Candy Syrup, and a dollop of French Orgeat, for its subtle almond flavor. A generous amount of shaved ice and vigorous shaking by hand produced the marriage I was after. Half the lime shell went in for color ... I stuck in a branch of fresh mint and gave two of them to Ham and Carrie Guild, friends from Tahiti, who were there that night. Carrie took one sip and said, 'Mai Tai - Roa Ae.' In Tahitian this means 'Out of This World - The Best.' Well, that was that. I named the drink Mai Tai. - From "Mai Tai" in the Bartenders Database, retrieved 2011-4-30.
You can find the classic recipes used at Trader Vic's and Don the Beachcomber's here. My recipe is down below.

After a visit to the islands, in a state of despair at being back in Boston after time spent in paradise, I set about to emulate the Mai Tai at House Without a Key. I wanted it to be strong and not too sweet. As a starting point, I looked at Dale DeGroff's recipe in The Craft of the Cocktail, and I looked at Gary Regan's recipe in Joy of Mixology, as these two books have informed and inspired me endlessly. In the end I adapted their formulas until I found a drink that closely resembled the Mai Tai I recalled from House Without a Key, but which has its own distinctions.

This cocktail is more about the right flavors than the name on the bottles, but I suggest Cruzan Aged Rum as a starting point, as it is inexpensive but good quality, and not too fine to mix. From there, try longer-aged gold/amber rums. Some darker rums (Whaler's, Myers's) strike me as too bitter to be the main ingredient in this drink, but can be floated on the top to create a teak-colored surface that tempers the sweetness of the curacao. Also, many recipes (such as these) call for a combination of aged golden and dark rums in the drink, and it is certainly fun to experiment. One more note: This drink calls for orgeat (a sweet syrup with an almond flavor) or falernum (a similar sugar syrup, with more of a clove flavor), which can be hard to track down (I found them, along with a huge collection of bitters, at The Boston Shaker). These syrups make the drink quite sweet if over-used, so I actually substitute those with amaretto liqueur, and it adds the almond nuance without the sugar syrup sweetness.

The Mai Tai is a perfect summer cocktail - and a true classic. Drink it while listening to Andy Cummings' song "Waikiki," or any other Hawaiian music from the 20s or 30s (sung in English, called hapa haole) and you can almost imagine the sweet, fragrant breezes of the south Pacific caressing your senses as beachboys surf the long waves of Waikiki beach with lovely wahines held aloft in their burnished arms...

Mai Tai at House Without a Key
Mai Tai

2 oz aged rum
3/4 oz orange curacao
3/4 oz fresh lime juice
1/4 oz amaretto liqueur
Float of dark rum

Shake the ingredients with ice, and strain into an Old Fashioned glass (rocks glass) over ice cubes.

Float 1/4 oz or so of dark rum over the surface (I use Gosling's Black Rum).

Garnish with a lime round and a mint sprig (unless you have orchids). Thread the mint sprig stem through the center of the lime and float in the middle of the glass. Bottoms up!

Monday, April 25, 2011

Blood and Sand Cocktail

On paper, the Blood and Sand Cocktail sounds wrong... Scotch whisky, cherry brandy, orange juice, sweet vermouth? Scotch in any mixed drink is an unusual concept. And the range of scotch - from fireside-smoky to heather-and-honey to seaside salt-wind and ocean spray - makes the outcome of this drink unpredictable yet always surprising. This is what makes the Blood and Sand so intriguing, and so worthy of experimentation in ratios and ingredients. Plus, this drink is appropriate any season (and any time of day). Just add a bit more orange juice in the morning.

Blood and Sand (with kirsch)
I have made a few of these in my time, usually with just stuff I have in the liquor cabinet or fridge. That means whatever blended whisky is on hand for guests (usually J&B or Johnny Walker); sweet vermouth (any will do); orange juice (fresh is best but if all you have is a carton in the fridge, that's fine too); and cherry brandy. Who has cherry brandy lying around? Well, many people have a bottle of kirschwasser on hand for cooking, and I have used kirsch in this drink and I have enjoyed it. It makes a cocktail with a light, "sand" color (since kirsch is colorless) and a slightly woody flavor mingling with the tart sweetness of the orange juice and the smokiness of the scotch.

Recently, however, I have thought more about the "cherry brandy" element. An article in the always-informative Imbibe Magazine piqued my interest in Cherry Heering, describing it as a "ruby-red liqueur made by soaking lightly crushed Danish cherries and a blend of spices in neutral grain spirits, then cask-maturing the mixture for up to five years, adding sugar during the aging process." The article goes on to clarify that Heering is not to be confused with kirschwasser or Maraschino liqueur. Cherry Heering is suggested for adding depth to classic libations such as the Singapore Sling or the Blood and Sand.

So I went out and looked for Cherry Heering, and managed to find it quite easily at one of my local liquor stores. The Blood and Sand using Heering is more robust, deeper-hued (a little blood mixed with the sand), and I would say has more mouth-filling depth of flavor. The Heering on its own is a deep red, and is richly flavored - tart but not sweet.

The recipe I follow for the Blood and Sand is from Gary Regan's Joy of Mixology. It is simple: equal parts. It suggests that any part could be increased or decreased for variations on sweetness or smokiness. Over time I have tried different whiskies in this cocktail, from J&B blended whisky to single malts. For my taste, a milder malt, with some smoke but not too much, is best in this drink. When I used a very peaty Islay single malt, it was a bit too smoky (though not unpleasant). I preferred a heathery highland malt, which added just the right smokiness and layers of honey to the drink.

Blood and Sand (with Cherry Heering)
Blood and Sand Cocktail
  • 3/4 oz blended scotch whisky (or single malt)
  • 3/4 oz sweet vermouth (any works, but try using Carpano Antica Formula or Vya, if you can find them; both add their own nuances to this drink)
  • 3/4 oz fresh orange juice (if you find blood orange, that would be appropriate)
  • 3/4 oz Cherry Heering (kirschwasser works too, but is quite different in flavor)
Shake with ice and strain into a chilled cocktail glass. Garnish with an orange peel if you so choose. 


Bottoms up!